剧情简介
日韩关口知宏铁道之旅 欧洲篇 瑞士
日韩113
日韩关口知宏铁道之旅 欧洲篇 瑞士
詹雅雯
回复 :The protagonist, after years spent in war-torn Syria, decides to return to Italy, to finally put behind his terrible experiences, and regain his life.But in order to do so, he will have to pay a very high price.
彩虹
回复 :When insecure teen Simi arrives at her aunt Claudia’s country house at Easter she’s hoping for help with her weight issues. What could be better than the bosom-of-family support from famous aunt Claudia, a best-selling author of books about nutrition and healthy diets. But something strange is sizzling on the emotional hotplate here. Cousin Filipp is being nasty, Claudia’s uptight, and her new hubby Stefan has wandering eyes and weird thoughts. This knockout feature debut by Hengl and his producer-wife Lola Basara turns the screws slowly and with great visual and tonal assurance until Simi and us can take no more... but take more we must before this twisting tale serves a final course you won’t soon forget.
大卫鲍依
回复 :Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007Author: TimothyFarrell from Worcester, MA"Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10)-from imdb
