小型事故
地区:内地
  类型:ʱװ
  时间:2025-04-10 04:12:34
剧情简介

一个爱上了珠宝大盗的美丽女人,小型一个冷静果断的刑警,一个心狠手辣,却深爱着病妻的罪犯,这几个人演绎了一段扣人心弦,引人入胜的故事......

26862次播放
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明星主演
陈慧恬
吕珊
林浩威
最新评论(616+)

宋承宪

发表于6分钟前

回复 :Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.


小黑柯受良

发表于5分钟前

回复 :1911年,北方革命党面临清政府和列强殖民统治者双重高压,无数革命者遭遇迫害,革命前景非常暗淡。为了鼓舞北方革命党人的士气,南方同盟会的革命领袖江中行准备到天津发表演讲。然而清政府的爪牙遍布天津卫各地,江中行此行凶多吉少。 然而江中行夫妇临危不惧,如约来到天津卫,一番浴血奋战后,革命党人张铁掩护夫妇俩甩掉了清廷爪牙的围追,却被纨绔子弟苏少阳的别克车撞伤,江中行伤势严重,终不治身亡。这个意外让张铁和其他革命党人不知所措。这时,张铁出了一个“馊主意“,让苏少阳扮成江中行(两人长相相似),保证演说顺利进行。苏少阳平时不好好读书,许多字不认识,续兰只能一句一句教。后来,袁世凯暗杀党到来,不择手段地阻止此次演讲,枪杀了许多人,江中行尸体被烧。苏少阳临阵脱逃,逃回家中,通过与父亲的交谈得知资产阶级剥削工人的实质。隔日,少阳看见江中行已死清明节演说不能继续的新闻,内心感触,回到破庙,进行演说前的准备。清明演说继续,刘孝武放出消息宴请江中行。张铁至大中华电台,请求为江中行直播演讲提供帮助。刘孝武紧随其后抵达电台,与台长罗女士交谈,说出江中行已死的消息,罗女士要求必须在演讲前见江中行一面,于是,苏少阳续兰不得不赴宴。在这次宴会上,少阳续兰与刘将军针锋相对,刘将军不得杀掉苏少阳,在罗女士的帮助下,少阳续兰顺利逃脱。少阳带人躲进自己家,被少阳父亲发现,少阳父亲要打电话报告军部,少阳不得已拔枪指着自己的父亲,因为他找到了自己存活的价值,少阳父亲最终同意。清明节当日,演说进行,袁世凯暗杀党到来,革命党抵抗,张铁续兰牺牲,众多人的牺牲完成了清明演说,群众也听到了演讲,深受鼓舞。最后,少阳继承了家业,带着家当支持革命事业,带着续兰的照片,终生未娶,一直活到九十多岁。


方季惟

发表于8分钟前

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