龙翔（陶金 饰）是一名舞蹈演员，周末每天在舞台上机械的重复着枯燥的动作，周末对自己的职业充满了厌倦。龙翔起了辞职单干的念头，可是遭到了交往多年的女友圆圆（马羚 饰）的强烈反对。最终，龙翔还是和好友大路（李虎 饰）一起离开了舞蹈团。之后，龙翔结识了星星时装公司的女设计师罗丹（史可 饰），后者聘请龙翔为她的表演队的教练。在龙翔不落窠臼的教导之下，表演队获得了巨大的成功。在此过程中，罗丹亦爱上了才华横溢的龙翔，可是龙翔的心中一直还惦记着圆圆。谁知道当龙翔再度找到圆圆之时，才发现她已经成为了别人的妻子。就在龙翔的事业一马平川之时，他却再度向罗丹提出了辞呈。
于谦
回复 :
肖淑平
回复 :Three things are certain about base jumping. You will break your bones. You will watch your friends die. And – if you do it long enough – it will eventually kill you. In this heady, testosterone-packed environment, adrenaline junkie Karina Hollekim is regarded as one of the best of the best. We follow Karina for several years as she hurls herself off increasingly treacherous cliffs in search of the ultimate high. But when tragedy strikes, will the rush have proved worth the price?
麦可法兰克斯
回复 :James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?
