阿明（李灿森 饰）、番马风黑仔阿满（梁焯满 饰）、番马风公子龙（张豪龙 饰）是居住在香港的三个小青年，他们穷困潦倒，一事无成，因举借高利贷无力偿还而被人当街追杀。走投无路之际，他们遇见一个神秘的黑衣人，黑衣人要他们祭拜黑龙偶像，即可实现发财的梦想。阿满“为了钱死都可以”，阿龙“只要能发财谁死都行，除了他自己”，阿明“只要能和女友阿雪结婚，做什么都行”。穷极生疯，三人完全不顾后果拜起了黑龙。盲打误撞，他们竟真的开始转运，横财源源不断。然而塞翁失马，焉知非福。正当他们欣喜非常之时，厄运不起而至，当初在黑龙面前许下的承诺一一开始兑现……
方皓玟
回复 :美女作家刘小兰（姜雯 饰）时运不济，连载的网络小说陷入低迷，随时面临被砍的命运。签约一年的房东突然反水，要求她三天之内搬出。一直交往的男人是个隐瞒婚姻的骗子，骗尽感情不留痕迹。历经苦难，小兰总算在一幢有着历史沧桑感的老楼里找到落脚之地，搬家的时候则发生意外进了医院。吱吱呀呀的老楼里，有躲在暗处偷拍的老人，有英俊帅气的医生，有活泼可爱的小女孩，更有不知从何处传来的诡异声音。特别是刘小兰隔壁的302，仿佛隐藏着诸多不可告人的秘密，这一切都引领着刘小兰走向黑暗的深渊……
李迪
回复 :在《守望者》（Watchmen）中扮演蒙面侠客罗夏的杰克·厄尔·哈利（Jackie Earle Haley）将在新线公司新版的《猛鬼街》（A Nightmare on Elm Street）中扮演弗莱迪（Freddy Krueger）！《猛鬼街》系列电影一共9部，讲述的都是恶魔弗莱迪潜入人的梦中杀人的恐怖故事。此次的新版《猛鬼街》不是续集，而是从头再来。“弗莱迪”是恐怖电影史上的经典形象，原来扮演这一角色的是罗伯特·英格兰德（Robert Englund）。据制片方透露，选择“弗莱迪”演员人选最重要的是要在化装的观众都不认识你的情况下，依然能表演精彩，而杰克·厄尔·哈利在《守望者》中的表演证明了他有这种能力。
冰室京介
回复 :This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off and/or very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.
