偶像歌手高奕辉（陈晓东 饰）唱作俱佳，皮威才貌双全，皮威前景灿烂，星途一片光明。就在他人生最得意的时刻，一位名叫高小婵（许雅涵 饰）的十四岁少女突然出现在了他的生命之中。高小婵坚称自己饰高奕辉的女儿，可是，高奕辉对面前这个陌生少女几乎一无所知。就这样，高小婵黏上了高奕辉，高奕辉不仅生活受到了打扰，事业也因为这个女孩的存在而跌落谷底。有关他有私生女的传闻四处涌动，甚至有人开始捏造他和高小婵之间的不伦之恋。经纪人离开了高奕辉，他只能凭借自己的调查和智慧来还自己一个清白，在调查的过程中，他意外发现了一个惊人的秘密。
底里
回复 :9岁的小女孩蕾蒙娜·昆比（乔伊·金 Joey King 饰）生活在一个幸福美满的家庭里，父亲罗伯特（约翰·考伯特 John Corbett 饰）和善宽容，尽心支撑着这个家；母亲桃乐丝（布丽姬·穆娜 Bridget Moynahan 饰）善良温柔，悉心打理家中的一切；她的姐姐碧祖丝（赛琳娜·戈麦斯 Selena Gomez 饰）美丽聪颖，品学兼优，姐妹俩还有一个牙牙学语的小妹妹。古灵精怪的蕾蒙娜每天尽情玩耍、调皮捣蛋，无忧无虑地享受这份宛如天堂般的快乐时光。然而随着父亲的失业，昆比家的快乐不复存在，人人脸上挂满愁容。蕾蒙娜不愿看到这一切，她决定用自己的奇思妙想为家人们找回久违的快乐……本片根据作家碧弗利·柯利瑞（Beverly Cleary）的小说改编。
腾格尔
回复 :向阳中学高中生乔利旬，在一次意外中变成植物人。18年后乔利旬醒来 ，发现父亲去世，只给他留下 一个价值3000万的房子，以及一封“必须考上大学才能继承家产”的遗书 。四十岁的乔利旬不得不重新走进校园，考取大学以获得遗产。重新入学后，乔利旬发现自己18年前一夜风流留下的孩子李醒成为了他的同班同学， 还有个坏学生张铁棍处处跟他作对。在班主任严老师的帮助下，乔利旬克服了学习困难，得到了李醒的认可，也感化了张铁棍。在高考前夕，开发商用500万诱惑乔利旬放弃高考。一番思想斗争后，乔利旬决定放弃500万，遵循了和李醒的约定，毅然迈向了考场。
奥户巴寿
回复 :Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.Roger Philip Mellor
