落魄拳手维纳斯偶遇来泰国找拳王泰桑代言的格斗游戏开发者小亮。维纳斯想要左右逢源狠捞一笔差价，人妻结果被泰桑老板发现抢走所以资金。为了弥补小亮，人妻维纳斯决定参加去拳王大赛拿冲击奖金。在小亮和那瓦的训练下，维纳斯一路晋级，拿到决赛的资格。面对到手奖金和继续挑战冲击拳王的机会，维纳斯选择离开。这时小亮也得知维纳斯竟然是自己曾经的偶像蒙面拳王威霸天，小亮决定放弃奖金并向泰桑发起挑战。希望隐退的维纳斯与小亮发生争执，不欢而散。最终维纳斯还是站在了擂台上，在与泰桑的比赛中证明了自己，也弥补了遗憾。
藤田惠美
回复 :Alice和Ben是大学时就认识后好友。孤家寡人的两人在30而立的时候一共收到了10场婚礼的邀请，于是决定陪伴对方去往每场婚礼，让对方不在成双结对的婚礼上孤单。然而命运弄人，一次次的婚礼上却让彼此慢慢地相处了解。一个是刚与前男友分手的伤心之徒，一个是找爱却遇不到真爱的孤独灵魂，命运究竟会带他们何去何从？
杨晶晶
回复 :法国高校文学老师吉尔曼（法布莱斯·鲁奇尼 Fabrice Luchini 饰）给学生布置了一篇周记，要求他们如实记录周末的见闻。在众多乏味的作业中吉尔曼意外发现16岁少年克劳德（恩斯特·吴默埃 Ernst Umhauer 饰）的文章异常精彩。克劳德是一个安静的观察者，习 惯坐在教室的最后一排。他的作业是关于偷窥——讲述他如何潜入朋友家中、窥探对方一家生活的故事。吉尔曼被字里行间深深吸引，熄灭已久的文学激情亦被点燃。他不但决定单独辅导才华横溢的克劳德、鼓励他放手创作，还与妻子珍娜（克里斯汀·斯科特·托马斯 Kristin Scott Thomas 饰）一同分享克劳德的作文。然而成年人在阅读过程中竟渐渐忘记了虚构和现实的边界，更懵然不知自己的居室早已房门大开......法国鬼才导演弗朗索瓦·欧容曾凭借黑暗惊心的《八美图》、《泳池谋杀案》惊艳世界影坛。在《5×2》、《时光驻留》等温情文艺片后，新片《登堂入室》再次回归欧容最擅长的悬疑惊悚题材。电影改编自西班牙舞台剧《最后一排的男孩》，导演巧妙拼接偷窥文学与扑朔迷离的现实断面，用似真似幻、充满层次感的创作故事挑战情欲道德禁区。本片入围法国凯撒奖六项大奖，获多伦多电影节国际影评人费比西奖和西班牙圣塞巴斯蒂安电影节最佳影片金贝壳奖，同时入选欧洲年度最佳电影之一。
坂詰美纱子
回复 :When Rosa is expected to hand her boss the suntan lotion on a deer hunt, this feels like a sign. Don Reynaldo’s ranch is about to celebrate its farm anniversary, but this passionate hunter’s image is built on a lie. And so, here in the countryside, where men are men, employees are grateful subjects and women diligently and docilely hold it all together, cracks begin to appear in the social life of this microcosm. Ordered around day in and day out, unnoticed by those in her class-conscious surroundings, the menial Rosa gradually becomes an agent of change. While Don Reynaldo’s extended family contorts itself in a bid to save the old order, men begin to arrive at the farm in pickup trucks. Their appearance at the feast and a threat are enough to make the ageing patriarch fear for his life and his family – and force him to act. All that passes is observed by the animals who, either as trophies on the wall or as livestock out to pasture, seem to sense the end of an old hegemony.With a keen sense of how to deploy omens that herald change, Alejandra Márquez Abella portrays an epochal shift in rural Mexico – as seen by characters who are usually relegated to passive supporting roles.
