在一个反乌托邦的未来,前妻最后一个人类是由一台机器人抚养长大的。此人与毫无人类互动的孤独作斗争,前妻并质疑神秘的宗教“手册”的教义,而机器人则声称它是神圣的。。。
在一个反乌托邦的未来,前妻最后一个人类是由一台机器人抚养长大的。此人与毫无人类互动的孤独作斗争,前妻并质疑神秘的宗教“手册”的教义,而机器人则声称它是神圣的。。。
回复 :20多岁的Na-young(全度妍 饰)生活工作都十分稳定,但她与母亲的关系不太好,两母女无法亲近。可是父亲的突然离去让他们的家失去了平静。她离开了母亲,到了父亲曾经生活过的小岛,在这个美丽的小岛上,她竟然遇到了一个与自己样子一模一样的少女Yeon-soon。Yeon-soon的快乐与Na-young的失落成为了鲜明的对比。相处下来,Na-young发现了Yeon-soon的真实身份,令她惊讶不已。
回复 :从伊拉克退伍回家的JACK,因为长期遭受战争的摧残,精神接近崩溃,死亡的幻觉笼罩在他全身,让他透不过气来......
回复 :Kato is an aspiring screenwriter treading water. He spends his days pitching stories to offbeat agents and executives who are anything but impressed. Not that he has run out of ideas, they just don’t seem to go anywhere. Unlike his relationship with his girlfriend Zigzag – that one is going down the drain. Little does Kato – or anyone – know that life is about to take some seriously weird turns.While out to buy the special brand of food for his girlfriend’s dog Cerberus, Kato discovers an abandoned convenience store that transforms his trajectory. A stumble into a refrigerator catapults him into a realm of fantastical inspiration boosted by an eccentric couple he meets along the way. Might this be the key to getting his mojo back?Miki Satoshi (Adrift in Tokyo, What to Do with the Dead Kaiju?) returns with a surreal and quirky indie film that manages to be both charming and deeply philosophical. Teaming up with Japanese cinema expert and notable critic for The Japan Times Mark Schilling (Art, Cult and Commerce: Japanese Cinema Since 2000), Convenience Story takes you on an eccentric Dantean ride brimming with psychological tension and the zest of karma. From the purgatory of writer’s block, to a hell of an adventure, Kato’s journey is a satisfying and thoughtful tale.源自:https://iffr.com/en/iffr/2023/films/convenience-story