剧情简介
平凡女孩可晴，资源总站靠着闺密的帮助，资源总站希望在直播界取得一席之地。一开始两人的风格并不获青睐，然而可晴在一次爆乳事件中意外爆红，让她开始思考另一种路线，却遭到闺蜜强烈反对，两人的友谊逐渐出现无法挽回的裂痕。新生代气质女神温贞菱、江沂宸同台飙戏，展现了突破框架，令人激赏的演出。本片以非线性叙事，虚实交错的手法，呈现清纯少女一步步被成名欲望所吞噬，内心的纠葛与挣扎。
91资源总站
平凡女孩可晴，资源总站靠着闺密的帮助，资源总站希望在直播界取得一席之地。一开始两人的风格并不获青睐，然而可晴在一次爆乳事件中意外爆红，让她开始思考另一种路线，却遭到闺蜜强烈反对，两人的友谊逐渐出现无法挽回的裂痕。新生代气质女神温贞菱、江沂宸同台飙戏，展现了突破框架，令人激赏的演出。本片以非线性叙事，虚实交错的手法，呈现清纯少女一步步被成名欲望所吞噬，内心的纠葛与挣扎。
孙逊
回复 :第一次世界大战的末期，美国派兵赴欧洲参战，富家子弟吉姆(约翰·吉尔伯特 饰)也加入了军队，在部队中跟建筑工人出身的斯利姆和酒保布尔很快成为了好友。部队在法国登陆，驻扎在一个小村庄里。在那里，吉姆认识了法国村姑梅丽桑德(蕾妮·阿多莉 饰)，两人很快燃起了爱火。不久，部队奉命开赴前线，吉姆被迫离去。梅丽桑德在军用卡车后紧追不舍，吉姆脱下军靴抛给她，表达自己对她的爱意。在前线，炮火密集，吉姆、斯利姆和布尔躲在炮弹坑中十分着急。经过抽签，由斯利姆冲出坑外对付敌人的大炮。炮声停止了，但斯利姆一直没有回来。吉姆十分担心，往敌阵中寻找，果然发现了斯利姆的尸体。美军进行大规模反攻，吉姆奋勇作战，结果因腿部中弹而住进野战医院。在那里，他听说梅丽桑德所在的村庄处境十分危险，于是偷偷溜出医院赶到村庄，却发现该地已成一片废墟……
琳恩玛莲
回复 :村里发现了一具无头死尸，给平静的村庄带来了紧张的气氛，村民们纷纷议论。此时从部队新来了个安乡长，他是个正直负责的人，一来到村里就开始调查无头案。徐副乡长热情地为安乡长介绍村中的各种情况。经过警方的尸检，断定死者就是乡里的无业游民马晓廷。安乡长和警方立即展开调查。了解到马晓廷和 杨鸿林 是当地的流氓地痞，经常欺负村中的百姓，村民们平日都躲着他们，不敢招惹。春分集市后马晓廷失踪， 杨鸿林 也不知去向。他们开始进行细致的调查，发现死者死亡的地点是村民陈二家的西瓜地，开始从他家着手调查，谁知陈二早已离家在外，陈二家受到了重大怀疑，在警方的再三审问下，陈二老婆月月说出了实情：陈二是个老实人，工作卖力，家里的生活越来越红火，于是买了一辆汽车，谁知马晓廷和 杨鸿林 二人得知后，时常来敲诈，不给钱就毁坏他们的汽车，实在惹不起他们，只好把车卖掉。春分集市下午陈二在西瓜地中干活，碰到了马晓廷，两人发生争执，陈二一气之下用斧子打了他一下，谁知马晓廷就这么死了。警方抓获了陈二，但他否认杀 杨鸿林 和砍下两人的人头。安乡长对马晓廷和 杨鸿林 的如此霸道又无人管治感到气愤。村民刘叔，得知陈二被抓后，前去向警方提供线索，说自己在春分集市的第二日早晨，看到了马晓廷和杨鸿林。陈二和刘叔的口供互相矛盾，使得案件更加的离奇。此时警方在案件发生地附近又找到了 杨鸿林 的无头尸体。他们继续对春分集市和死者发生争执的胡贵家进行调查，正好碰上外出打工的胡贵回家。胡贵见到警察，仓皇逃跑，被警方抓到，老实的胡贵不忍心看到陈二和刘叔都牵连此案，说出了事实真相：原来胡贵是个懦弱的人，他的老婆玉秀被马晓廷和 杨鸿林 一起欺辱，愤怒的他不知如何是好，情急下用剪刀杀了两人，又坎下了他们的人头。安乡长理解胡贵，这是在万般无奈下的行为，但是不能逃脱法律的制裁，同时对徐副乡长的工作感到怀疑。那么刘叔为什么提供假证词，来误导警方的办案，原来整个案件的全过程他都在场，陈二只是把马晓廷打晕了，马晓廷和 杨鸿林 确实是被胡贵杀死，但他觉得像这样的恶棍罪有应得，陈二和胡贵也是万般无奈，不应为两个畜牲坐牢，才作了伪证。无知的刘叔也受到了法律的制裁。这个离奇复杂的案件终于真相大白。徐副乡长的行为受到了应有的惩罚。
路瑞德
回复 :Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's "Staroye I Novoye".It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls.And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, "Staroye I Novoye", is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ).Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with "Staroye I Novoye". The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel "ARTE", natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests.And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.
