该电影以1942年侵华日军对我太行山区进行疯狂扫荡为背景,春暖结合山西长治地区真实存在的感人故事,春暖以纪实手法讲述了在山西屯留老爷山的一场突围中,由韩少峰等人组成的侦查小分队在归队途中,意外发现日军驻地囚禁着十几名群众,为了营救并保护群众撤离敌占区与日军展开殊死搏斗的故事。
该电影以1942年侵华日军对我太行山区进行疯狂扫荡为背景,春暖结合山西长治地区真实存在的感人故事,春暖以纪实手法讲述了在山西屯留老爷山的一场突围中,由韩少峰等人组成的侦查小分队在归队途中,意外发现日军驻地囚禁着十几名群众,为了营救并保护群众撤离敌占区与日军展开殊死搏斗的故事。
回复 :在《男人女人和孩子》中,有经常浏览色情网站的父亲,有痴迷于Guild Wars(激战2)的儿子,还有误入歧途的母亲。小说探讨的是在互联网视讯如此发达的当下,美国家庭所面临的性压力,以及美国社会“不牢靠的情感文化”。
回复 :Ben和KatePowell在海边租了一栋新英格兰鬼屋,他们的儿子Steve应对这三个恶作剧的鬼魂造成的混乱负责。
回复 :Salomé (1923), a silent film directed by Charles Bryant and starring Alla Nazimova, is a film adaptation of the Oscar Wilde play of the same name. The play itself is a loose retelling of the biblical story of King Herod and his execution of John the Baptist (here, as in Wilde's play, called Jokaanan) at the request of his stepdaughter, Salomé, whom he lusts after.Salomé is often called one of the first art films to be made in the U.S.[citation needed] The highly stylized costumes, exaggerated acting (even for the period), minimal sets, and absence of all but the most necessary props make for a screen image much more focused on atmosphere and on conveying a sense of the characters' individual heightened desires than on conventional plot development.Despite the film being only a little over an hour in length and having no real action to speak of, it cost over $350,000 to make. All the sets were constructed indoors to be able to have complete control over the lighting. The film was shot completely in black and white, matching the illustrations done by Aubrey Beardsley in the printed edition of Wilde's play. The costumes, designed by Natacha Rambova, used material only from Maison Lewis of Paris, such as the real silver lamé loincloths worn by the guards.No major studio would be associated with the film, and it was years after its completion before it was released, by a minor independent distributor. It was a complete failure at the time and marked the end of Nazimova's producing career.A longstanding rumor, which seems to have started while the film was still in production, suggests that its cast is comprised entirely of gay and bisexual actors in an homage to Oscar Wilde, as per star and producer Nazimova's demand. It is, of course, impossible to say, but one of the extras in Salomé reported that a number of the cast members—both featured and extras—were indeed gay, but not an unusual percentage of them, and certainly not all of them. What can be said is that Nazimova herself was a lesbian, the two guard characters (who, next to Salomé, have the most screen time) are at least played very stereotypically gay, and several of the female courtiers are men in drag.Salomé was screened in 1989 at the New York International Festival of Lesbian and Gay films and in 1990 at the New York Gay Experimental Film Festival.In 2000, the United States Library of Congress deemed the film "culturally significant" and selected it for preservation in the National Film Registry.