约翰•拜克威(欧文•威尔逊)与杰瑞米•格雷(温斯•沃恩)是地地道道的婚礼傲客。他们不仅喜欢参加婚礼，借助各种婚礼派对及时行乐，还会在婚礼上引诱年轻漂亮的女孩儿。然后在婚礼结束时消失的无影无踪。这次他们假冒成商人来到财政部长威廉•克莱瑞(克里斯托弗•沃肯 饰)的大女儿的婚礼派对上。然而就像命运的玩笑约翰对伴娘克莱尔(瑞秋•麦克亚当斯)一见钟情，他努力说服杰瑞米与他打破常规前往部长的庄园度周末。在那里杰瑞米对部长的小女儿格罗瑞(艾拉•弗舍 饰)的感情也从玩弄渐渐的变为真情。可是，就当两个花花公子打算改邪归正的时候，风波又起……两个玩世不恭的婚礼傲客能得到心上人的真爱么？
张含韵
回复 :故事发生在2050年，蓝小玮是一个研究员，她研发了“零接触”的技术--通过佩戴特殊的头盔，将两个人的脑电波连接起来实现梦境的连接。这天，一个便衣警探余警官找到研究所，要求小玮使用零接触的技术帮他侦破一个极为棘手的案件。小玮觉得这案件跟母亲的昏迷案件有关，尽管知道危险，还是不听父亲的阻止，接受这个任务了。小玮通过网络连接的方式进入昏迷者易田的梦境，随后捣蛋的余警官也偷偷尾随而来，两人在这个奇怪的世界跌跌撞撞，搞笑百出，也危险重重，两人配合警探父亲，终于找到真凶竟然就是实验室的研究员，至此故事告一段落。
成龙
回复 :中里博士は人間を透明にする薬品を密かに完成させるが、秘密をかぎつけた謎の男が薬を奪い透明人間になって、希代の宝石“アムールの涙”を強奪しようとする。円谷英二が大映京都撮影所で、「虹男」に続いて特撮を担当した話題作である。
金朝汉
回复 :Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey.In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.
