故事的灵感来自于流传在印度许久的一个传说。有一个名叫施特丽的女鬼会在夜里出来游荡，成人并袭击落单的男性。每次行动前，成人她都会先在背后呼唤对方的名字，当喊到第三声时，这个男人就会如同着了魔一般，转过身去，任由形容可怕、双脚悬空的施特丽将他赤身掳走，只剩下衣服还留在原地.....我们的主角是一个萌萌哒的小裁缝，名叫维奇，确切的说他是一名女装小裁缝，作为一个现代人，维奇对于施特丽的传说，非常不屑。在一次夜间派对时分，维奇的好友也以同样的方式失踪，接着不断有男人失踪。正义感爆棚的他决定，无论多么艰险，都得解救自己的朋友，并想办法驱走施特丽，还小镇一个安宁太平……
平克弗洛依德
回复 :抗美援朝战争期间，志愿军首长交给某部连长方勇（张勇手 饰）一个艰巨任务，让其带领一支侦察队深入敌占区，炸毁一座敌援军必经之路——康平桥。领受任务后，方勇带队日夜兼程，巧妙的绕过敌人的雷区封锁带。在过公路时，他们伪装成美军巡逻队，一班长（邢吉田 饰）化妆成美国佬对在公路上临时露营的李伪车队哇哇乱叫，敌上尉（谢万和 饰）不知真伪，只好带车队悻悻离去。他们迅速通过阿玛妮（曲云 饰）和游击队员朴金玉（袁霞 饰）取得联系。之后他们化装成伤兵，骗取一辆吉普车开到桥头，摸清了敌人桥头的火力布防及大桥结构。此时，敌人发现丢失了吉普车，开枪拦截，方勇驾车疾驶离开，敌人摩托车队穷追不舍，情急中方勇弃车摆脱了敌人。当敌上校听说康平桥上发现共军时，绝望地大喊“完了”......
张佳添
回复 :1990年的阿布哈兹战争期间，爱沙尼亚人伊福被迫留下了收获金橘，流血冲突打到了他家门口，一个受伤的男人留了下来，伊福被迫之下收留了他。
汉洋
回复 :"Sinofuturism is an invisible movement. A spectre already embedded into a trillion industrial products, a billion individuals, and a million veiled narratives. It is a movement, not based on individuals, but on multiple overlapping flows. Flows of populations, of products, and of processes. Because Sinofuturism has arisen without conscious intention or authorship, it is often mistaken for contemporary China. But it is not. It is a science fiction that already exists.Sinofuturism is a video essay combining elements of science fiction, documentary melodrama, social realism, and Chinese cosmologies, in order to critique the present-day dilemmas of China and the people of its diaspora.With reference to Afrofuturism and Gulf Futurism, Sinofuturism presents a critical and playful approach to subverting cultural clichés.In Western media and Orientalist perceptions, China is exotic, strange, bizarre, kitsch, tacky, or cheap. In its domestic media, China portrayed as heroic, stable, historic, grand, and unified. Rather than counteract these skewed narratives, Sinofuturism proposes to push them much further.By embracing seven key stereotypes of Chinese society (Computing, Copying, Gaming, Studying, Addiction, Labour and Gambling), it shows how China's technological development can be seen as a form of Artificial Intelligence."
