中央电影企业股份有限公司二厂出品，香蕉线永摄影：香蕉线永石凤岐。\r抗战胜利，陆太太的大女儿文兰的未婚夫司徒炎就要从重庆回到上海，陆太太和文兰以为他是接收大员显得非常兴奋，小女儿文惠却对这个未曾谋面的接收大员非常反感。当陆太太和文兰见到司徒炎后却发现原来他只是个穷记者，两人顿时变得非常冷淡，不久文兰便和司徒炎解除了婚约，文惠则渐渐对正直的司徒炎产生了好感。一天，司徒炎在报上揭露了一桩贪污案，此案牵连了陆太太的哥哥韩大爷和他的那些上司，司徒炎拒绝了陆太太她们的贿赂，那些贪官污吏便恼羞成怒将报馆捣毁还打伤了司徒炎，民众则很支持司徒炎，最终，司徒炎和文惠走到了一起。
伊藤由奈
回复 :林凯因调任来到江城市与王小树、程楠搭档进行缉毒工作，一批毒品原料意外泄露，林凯等人层层深入调查制毒工厂，于此同时，毒枭大先生一路帮助警方获取线索，想要利用警方消灭竞争对手泰哥。本以为这场计中计天衣无缝，却依旧被林凯等人看出破绽，待一举抓获泰哥团伙过后，大先生也很快落网。
刘晓婧
回复 :尚一楼是一名私募基金项目经理，可是老板卷款潜逃，留下一个烂摊子给他，他终于下定决心，也拿着最后的钱逃跑，可是这个夜晚很多人都不会放过他，更因为他，所有小人物聚集到了一ddd。尚一楼临走前还有最后一个放心不下的人——小凤，贪心的小凤联合自己的姐姐Shirley投资了尚一楼经营的私募基金，而随着梦想的破灭，她要和姐姐Shirley一起从尚一楼手中夺回属于他们的钱。因为基金亏损造成家破人亡的光头追杀尚一楼，却上了大力丸的网约车，无限巧合中来到了尚一楼住下的宾馆，住在了他的隔壁……本片以荒诞幽默的手法将不同命运的人物组合在一起，演绎一出悲喜剧，黑夜过后每个人都将迎来黎明，迎来生命的新篇章。
江珊
回复 :Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey.In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.
