李永昌
发表于1分钟前
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:香港旺角的西洋菜街,商铺林立,游人络绎不绝。哈公(曾志伟 饰)和石坚(张学友 饰)的手机店隔街相望,两家为抢生意各出奇招,互不相让。其实二人多年前本为好友,当年二人智斗包租婆的故事至今仍传为佳话,结果最后却为争小桃红(袁咏仪 饰)反目成仇。如今,已为哈嫂的小桃红和哈公相亲相爱,但在心底对曾经的好朋友石坚也仍关爱有加。两家的儿女们私下也有所往来,并逐渐互生好感。大业主租金要翻三倍,商户们为此伤透脑筋。频频有神秘人从高处扔硫酸水,生活在小街的人们陷入恐慌。为了维护生存的权益,为了还西洋菜街以安宁,商户们决定团结一致,共同捍为自己的家园……本片由邵氏和TVB合作拍摄,因集结两岸三地的100多位明星参演,所以有港版《建国大业》之称。
主音乐团
发表于5分钟前
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:Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey.In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.