一部难得的片子，通过毕加索的家人，前妻，画商，朋友的解读，我们才知，尽管毕加索的晚年作品濒临色情的边缘，但也让我们见识了什么是不顾一切狂野地表达自己突破绘画技巧！而为了悟透男人与女人，性欲与爱的关系，纪录片里会解密他是如何做的。毕加索一生都受性的诱惑，他在作品与生活中都全身心地享受性的乐趣。毕加索每次换个女人，也是每次换个标准，换个视觉，因为他要全部占有女人，直至她的视觉；这时他自己也换了个人。“标准”、“改变视觉”、“性的对话”、“性与心的转换”、“占有女人直至她的视觉”，这是毕加索的艺术中的性心理学的一条粉红色线。如果狄德罗知道了，会说这是极佳的心理临床学。因为他早在两个半世纪以前就说：“一切生物都是你中有我，我中有你……任何禽兽都多少是人，任何矿物都多少是植物，任何植物都多少是禽兽……人是什么?人是某类倾向的总和。”
何静
回复 :由于鬼娃娃恰奇的入侵，妮卡·皮尔斯（菲奥娜·道里夫 Fiona Dourif 饰）被看作令外甥女爱丽丝变成孤儿的始作俑者，而她本人也被诊断患有精神疾病给关了起来。经过一段时间治疗，她获准转到某监护级别稍低的设施内居住。然而她的平静时光并未持续多久，外甥女的监护人瓦伦丁夫 人（詹妮弗·提莉 Jennifer Tilly 饰）意外造访，不仅带来了爱丽丝已死的噩耗，还把鬼娃娃恰奇送到妮卡的身边。电闪雷鸣之夜，伤心欲绝的妮卡割腕自杀。可是当她次日醒来，却发现手臂的伤口已被缝合，地板上的血迹中写下了“NOT SO FAST”的话。被邪恶充满的恰奇，绝不允许猎物那么轻易就死去……
明骏女孩
回复 :January is forced to return home after six years traveling abroad. A near-fatal accident has left her temporarily wheelchair bound and depleted of her long-term memory. She is accompanied by her boyfriend 'Callum' whom she met whilst traveling. He was also the driver in the fateful accident. Not only has she forgotten her family, but her childhood as well and is surprised to discover that her home is a stately manor in the middle of the country-side. As January tries to settle in, she finds herself becoming even more estranged from her family, who just want their daughter back. The trouble is, she cannot remember who that daughter was, or why she ran away in the first place. Desperate to discover why she left all those years ago and with Callum's help, she sets out to find the truth. They soon discover the family are not as loving as they seem to be. Was there a dark reason why she left them in the first place?
夹子太硬啦
回复 :这部黑色喜剧以五十年代为背景，故事围绕一名少年怀疑父母用不可告人的途径，获取每天吃的肉类，并感觉到真相就藏在地下室里。
