就读于医科大学的维加德（Lasse Valdal 饰）及好友们驱车前往厄克斯尼湾附近的雪山，亚洲计划与其先行到达那里的女友莎拉（Ane Dahl Torp 饰）会合一同度假。当晚，亚洲他们从一个流浪汉（Bjørn Sundquist 饰）那里听到流传在此地的一个恐怖传说：二战期间，一支德国部队驻扎这里，他们从当地人手中大肆搜刮金银财宝，手段残酷，贪婪无度，但在战争结束前夕该部队却被愤怒的民众杀死，只有为首的赫尔措格指挥官（Ørjan Gamst 饰）极少数几个人躲进了雪山之中。年轻人们对此当然嗤之以鼻，但随着一盒财宝的出现，埋藏在雪中的纳粹僵尸开始一一复活，准备夺回一曾属于他们的财宝……
苏慧伦
回复 :全俊五（黄政民 饰）是保险公司中的调查员，业务能力出色工作又认真的他深得上司的信任和赏识。某日，全俊五接到一件委托，他来到了一幢阴森的宅子面前，目睹到了悲惨而又恐怖的一幕——一具已经腐烂发臭的男孩的尸体，从天花板上掉落到了地面，而全俊五的客户，正是这名死去的男孩的父母。经过警方的鉴定，男孩的死因是自杀，但敏感的全俊五始终觉得事有蹊跷，他忘不了在宅子里看到的一幕幕，忘不了男孩双亲眼中所流露出的贪婪的目光。全俊五决定依靠自己的力量私下调查此案，没想到却因此惹怒了沉睡中的恶魔，他一步一步的接近着事件的真相，死亡亦在一步一步的靠近他。
爱伦奈维尔
回复 :A team of climbers set out to find Irvine and his climbing partner George Mallory camera. If that camera could be found, it would rewrite history.
张柏芝
回复 :This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off and/or very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.
