一向以搞怪鬼马著称的范·怀尔德（乔纳森·本内特 Jonathan Bennett 饰）刚刚告别高中时代，视频步入大学。然而他所就读的大学可不简单，视频怀尔德祖辈几代人都曾在这所军校进修并创下了属于怀尔德家族的光荣，学校不仅军规森严，禁止一切舞会活动，更不巧的是，军校校长还曾是怀尔德父亲学生时代的死对头，一心想把当年的旧帐算到怀尔德头上。显然，一边要在这严肃的气氛下完成学业，一边要对抗校长和一群跟班的刁难，还要承袭怀尔德家族荣誉，这对天生好动的怀尔德可要废点功力。怀尔德开始与室友法利一起，用尽各种搞怪招式，试图一点点地改造校园的气氛，释放不羁的青春……本片为《留级之王》系列喜剧的第三部。
赵华
回复 :全片完全由导演所要宣传的政治思想和导演的情绪控制。第一首歌表现有了列宁之后各族人民的幸福生活，第二首歌表达了对列宁之死的哀恸，第三首歌则描绘了在列宁思想的引导下全国人民的社会主义建设。
姜成勋
回复 :Samedi lives in a village in Wallonia. He works from time to time as a gardener and has a close relationship with his mother. Everyday life in the village, which has seen better times, Samedi's quiet and friendly nature and the still largely intact rural setting stand in stark contrast to the heroin addiction Samedi has suffered from for over 20 years, which only his family knows about. His relationship with his mother changes when he makes another attempt to get clean. Paloma Sermon-Daï’s documentary paints a restrained, highly precise picture of a relationship marked by affection and love but which is also difficult to define in relation to Samedi's problem. As the camera observes the long, concentrated conversations he has with both his mother and his therapist, a picture of addiction comes into view which is part of a family structure. This becomes embedded in something larger in turn via the individual images of the village. Petit Samedi creates an image of dependence in which individual, family and social coexistence are intertwined, without falling into the trap of saying what might be able to solve the problem.
李珉宇
回复 :索尔-巴斯（1920 - 1996）是二十世纪最伟大的平面设计大师之一，他曾为许多经典影片设计过海报和片头并且同样是一位极有天赋的导演。这部《人为何要创造？》是他的个人电影代表作，被认为是美国百年影史上最具创造力的一部短片。它用影像讲述了人类最初要创造发明的目的、条件、实现的过程和逐渐演变的结果等等。从主题上说它是一部教育片（Educational Film），但所使用的表现手法却非常前卫，影片共分八节并难以置信地混合了纪录片、动画和实验电影的各种制作技巧。它获得了1969年奥斯卡最佳纪录短片奖，2002年入选美国国家电影保护局登记收藏。
