誰もが持っている、夏同学午心にそっとしまっておきたい、夏同学午せつない恋の思い出・・・。ただし樹の場合は、とても特別なものだった。彼女と結婚を意識していた秋吉樹（小澤亮太）は彼女・井上紗枝（柏木由紀）に、ある日突然、別の女性との恋の話を切り出す。そこには想像もつかない、でも真実のラブストーリーがあった･･･。料理人として店を出すことが夢という樹は３年前、福岡県柳川の居酒屋で働くことに。知り合いもいない樹に、店の先輩・北島（遠藤要）は3歳年上の女性・古賀恵（ＩＣＯＮＩＱ）を紹介する。年上で超美人で姉御肌の恵に一目惚れした樹だったが、その日は酔い潰れてしまう。しかし、後日なぜか恵から誘われデートをすることに。二人の仲は深まっていくが、恵は樹の彼女になることをどこか拒んでいるかのようだった。実は、恵には樹には言えない秘密があったのだ。恵の本当の気持ちは？どうして樹は紗枝にこの恋を話すのか？愛する樹から突然聞かされる紗枝の胸中は？樹、紗枝、恵の切ない想いがあふれ出る。
深度接触乐队
回复 :机械厂会议室长时间沉默之后掌声四起小人物孔大海被推选担任了连年亏损兴隆机械厂厂长职务这位新官刚上任就公布了一系列规章制度加强企业纪律严格门卫制度等等但结果却闹出许多啼笑皆非趣事：铲车飞出厂门；为了得到住房汪琪夫妇制造假离婚案；家具展销店竟成了黎明、凌燕新房孔大海对这些难以容忍现象正欲处理时不料儿子孔小海学校出了事更使忙得不亦乐乎无奈拿出了扣奖金法宝但问题还没解决终于“一日厂长制”出台了刘林首当其冲以解决职工生活困难为焦点进行改革......[1]2演职员表编辑导演：陈兴中编剧：王辉荃、陈兴中主 演：任广智、乔琦、周嘉陵
黄美珍
回复 :疯狂迷恋网络生活的英格丽(普拉扎饰)现实生活却一团糟，当她看到另一个网络达人泰勒(奥尔森饰)完美生活后，决定与泰勒结为好友，一场精心策划的虚假姐妹情由此展开。
潘恩蓓
回复 :Two differences between this Austrian version and the generally available American version are immediately obvious: they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the "original version"?The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! "Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel." (Koszarski)From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to "speed up" the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shots/countershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
