單親爸爸荷利托與女兒葉莎相依為命雖然資源有限,日韩日本父女倆仍以歡笑面對、日韩日本快樂度日。然而平靜的生活,卻在荷利托意外捲入一名小女孩的死亡後變了調。遭指控為嫌犯並鋃鐺入獄的他,被迫與女兒分隔兩地,又因著智能障礙無法為自己辯護,只能默默承受牢獄之災。所幸荷利托的純真心靈使他和獄友建立革命情感,然而庭審就在眼前,他究竟能否洗刷冤屈,重回家庭呢?
單親爸爸荷利托與女兒葉莎相依為命雖然資源有限,日韩日本父女倆仍以歡笑面對、日韩日本快樂度日。然而平靜的生活,卻在荷利托意外捲入一名小女孩的死亡後變了調。遭指控為嫌犯並鋃鐺入獄的他,被迫與女兒分隔兩地,又因著智能障礙無法為自己辯護,只能默默承受牢獄之災。所幸荷利托的純真心靈使他和獄友建立革命情感,然而庭審就在眼前,他究竟能否洗刷冤屈,重回家庭呢?
回复 :Like Fritz Lang, David Fincher or Bong Joon Ho before him, talented debut filmmaker Lado Kvataniya uses the concept of police detective vs serial killer for an excitingly stylised, macabre and haunting narrative, that ultimately revolves around the identity of an era: in this case, the late 1980s Soviet Union. With Glasnost and the end of communist rule, the West also learned of the (unsurprising) fact that there were serial killers in Russia too – the most notorious case probably that of Andrei Chikatilo, nicknamed the Rostov Ripper, or the Russian Hannibal Lecter.Based on these and many other sources, Kvataniya and screenwriter Olga Gorodetskaya constructed an immersive psychological puzzle, jumping back and forth in time, to reveal ever new-possible motives for the actions of all the protagonists. It all starts in 1990, when Detective Issa Davydov is celebrating his promotion and receives a call, reporting a crime that looks precisely like the ones of the serial killer that he famously captured some years before ...
回复 :本片改编自洛夫克拉夫特的短篇《不可名状》("The Unnamable")。19世纪初一位妇女生下了一个怪物,人们都觉得他太丑陋,没有什么名字能形容他,于是都称之为“不可名状之物”。后来怪物残忍地杀害了他的家人,自己则被困在了墓地里。时间流逝到了1988年,几个大学生听说了不可 名状之物的故事,继而想去墓地一探究竟……
回复 :“金子”是个十来岁的女孩,大部分时间她都在照料母亲露丝。露丝曾是个隐君子,尽管现在戒掉了,但是几乎没有能力照顾自己,更不用说养家糊口。于是这个家庭重担落在了“金子“身上。但是,另一方面“金子”也要兼顾自己的学业,否则她的前途将失去方向。她将如何在两者间作出选择呢?2004年戛纳电影节“金摄影机”奖与电影评论周最佳影片以色列女導演凱倫葉達雅的長片處女作,在坎城影展一鳴驚人奪下金攝影機獎等五項大獎。16歲少女歐兒一肩扛起養家重任,面對母親放浪成性的墮落人生,她陷在悲涼的生命泥淖中難以自救,連想要展開一段純純戀曲,也被消磨掉失去所有的可能。寫實而殘酷的大城小事,結局震撼人心;影像成熟洗練,整體成績遠遠超越對一般新銳導演的保守預期。